Over the years, many popular artists have included multiple artists of original composition in their recordings, making it almost impossible to “die out.” Despite the fact that the music itself changed over time, it had an established profile when the Trojan Horse’s collection was made. It is likely that the rock and roll that these three students heard became established around the same time it was kudapoker.
The Trojan Horse results also indicate that early rock and roll at least retained its core fan base through the mid-1960s, although the number of young people attracted by the Beatles’ music also rose. However, by the 1970s, the rock and roll explosion had typically
ended and younger fans left the drawing board. The deceleration of the rock and roll boom also indicates a pivot point at which the show teams decided to include rock artists in their shows. By identifying a number of earlier scenes, it was possible to trace the groupings of popular musical artists. One of the participants, Lorraine Taggart, argued that the music was more important than the people who composed it and its affiliations were firmly established by the time the Trojan Horse event was first held in 1977. Groovy music in early rock and roll was associated with youth and, as such, it was inherently anti-Establishment and anti-social. The iconic lineup of the LaBrie Sisters consisted of the youthful Elsie Baker, Chris, and Neil, who performed what is widely considered “groovier” music. Their number 1 hit “Three Way” was typical of earlier groups like the Beatles. The band’s subsequent album, It Beat, was critical and commercial success, but was considered by some critics to be “boogie music,” in that it was dance-oriented. The Grammy Award-winning Workin’ It Win Win, produced by the late Don Henley in the late ’70s, was to some extent a continuation of the same age group, featuring younger singers and more convivial arrangements. As the rock movement peaked in the early 1970s, the popularity of these proto-rock and roll groups declined as a result of the fracturing of the middle class and the attendant consumerist culture of the 1970s. The Trojan Horse’s findings also suggest that youths’ first exposure to traditional rock and roll came from this same group of artists as well as many others that were popular around the same time.
The rise of rock music and the parallel rise of countercultural youth culture influenced the scene and contributed to the inequities that existed in rock and roll cultures throughout time. Hides a Vague Relationship to Psychology: Rock and roll drew on the anarchic spirit of the 1960s counterculture, but it did not itself cause new versions of the disorders or allow them to become prevalent. Additionally, the motive to participate in and discuss rock and roll was not necessitated by the disorder it represented.